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Hue is one of places, which has many cultural heritages. Up to now, there is
no place like Hue, where a lot of originally historical vestiges of ancient
Capital City has still remained in accordance with the enchanting nature.

Mountain and river; a pair of significant factors representing eternal
harmony, was always foremost in the urban planning thoughts of the ancient
architects who had constructed the Capital City of Hue. Thanks to this
consideration, Hue is now still among very few cities that has survived in the
modern society, still dreaming in a deeply poetical nature. Mountains, rivers,
lakes and sea collectively contribute to a marvelous panorama that opens a wide
vision, as well as encompasses a colorful and illusory picture drawn by nature.
This city, having been known for many glorious centuries, is still a precious
natural gift for people, and satisfies an irresistible desire of dwellers within
modern metropolitan cities.
Nature constantly creates for Hue a comfortable
tranquility and shares it with the human spirit. Being different from the past
quietness, it is now having an animated inner life with the heroic consonance of
mountains, the saltiness of the sea, the reticence of the river, and of fruits
and flowers all year round in Hue’s gardens. The nature here is not only a
beauty for people to admire, but also the vitality for human beings; it is the
eternal poetical inspiration of the former capital city. Iu Murdin, a Russian
architect, noted that there are various types of cities in the world, namely
cities of workers, cities of scienc e, cities of port, huge and super cities,
but, he says, “It is rare to find a city of poem. Fortunately, there is a city
of this type in Vietnam. That city is Hue.”
Outstandingly, a large number of giant
architectural works, created by men, are assembled on that immense poetical
ground. The architecture of the Nguyen Dynasty is a perfect heritage that would
become a national pride of creative talents and community thinking of the
Vietnamese in the early 19th century.
What sometimes first surprises the observer is the
high scientific level apparent in Hue vestiges; for example, the golden scale
observed on the main entrance of the Noon Gate (Ngo Mon). This skill also
appears in the perfect hand-made bronze casting technique of the nine Dynastic
Urns, in the marble resonant holes at Nam Giao Esplanade, in the decorative
artifacts of Phap Lam. Even more skillfully crafted is the matrix arrangement of
words that forms many different poems in Long An Temple or the mysterious
arrangement of each poetic phrase on the roofs of the Minh Mang Tomb. All these
are an intelligent puzzle that was only interpreted just recently. In 1957, a
group of Oriental researchers, headed by the French academician Jean Cocteau,
noted Hue in the list of “The World Wonders” (Les Merveilles Du Monde, Paris -
1957).
The garden is a unanimous notion which appears in
the space surrounding all types of Hue archi tecture. Examples of this are House
Garden, Pagoda Garden, Palace Garden, Tomb Garden, Village Garden and as a
whole, Hue is considered a Garden City. This style of nature reflects an old
concept of the same origin of three traditional religions in the Vietnamese
culture during the Ly - Tran Dynasties; that of human beings and the universe
being of the same essence, a long lasting friendship with nature and an ambition
to liberate the human spirit. The Tombs of Nguyen Kings are majestic
architectures, which try to hide in the quietness of mountains and hills. Each
tomb is full of its specific architectural features according to the principle:
“Architecture should tell different stories to different people” as in the
post-modern architectural concept of Charles Moore. At the same time, the tomb
should be a flower garden for the living rather than a nihilistic world for the
dead. The luxuriant relaxation in passing from this world to the other world is
a humanitarian quality of Nguyen Tombs and simultaneously reflects the gentle
manners of Hue people when faced with the unavoidable rule of birth and dead in
their life circle.
Hue is also an important center of Buddhism. In Hue
and its surrounding still exist tens of pagodas constructed more 300 years ago,
and a hundred of temples and pagodas built in the early century.
Besides,
Hue is a place where the royal music is
originated, and a place with traditional famous dishes and sophisticated
handicraft.
As a unique city of
Vietnam still remains its form of City under Middle
Age and the constructions of monarchic, Hue has become a big and an invaluable museum. Therefore,
vestiges in Hue ancient capital have been classified by the
government as a very precious property and on December 1993
Hue has been recognized as a World Cultural Heritage Site by UNESCO.
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